INFORMATION

Artist Birtday : 27/03/1969 (Age 53)
Born In : Los Angeles, California
Occupation(s) : Singer | songwriter | actress | record producer | entrepreneur | television
Genres : R&B | pop | hip hop | soul
Web Site :mariahcarey.com

Mariah Carey born March 27, 1969, is an American singer, songwriter, actress, and record producer. Known for her five-octave vocal rangemelismatic singing style, and signature use of the whistle register, she is referred to as the “Songbird Supreme” and the “Queen of Christmas”. Carey rose to fame in 1990 with her eponymous debut album. She was the first artist to have her first five singles reach number one on the Billboard Hot 100, from “Vision of Love” to “Emotions“.

Her debut album was released under the guidance of Columbia Records executive Tommy Mottola, who married her three years later. Carey achieved worldwide success with follow-up albums Music Box (1993), Merry Christmas (1994), and Daydream (1995). These albums spawned some of her most successful singles, including “Hero“, “Without You“, “All I Want for Christmas Is You“, “Fantasy“, “Always Be My Baby“, as well as “One Sweet Day“, which topped the US Billboard Hot 100 decade-end chart (the 1990s). After separating from Mottola, Carey adopted a new image and incorporated more elements of hip hop into her music with the release of Butterfly (1997). Billboard named her the Artist of the Decade (the 1990s), while the World Music Awards honored her as the Best Selling Female Pop Artist of the Millennium.

After eleven consecutive years charting a U.S. number-one single, Carey parted ways with Columbia in 2001 and signed a $100 million recording contract with Virgin Records in April of that year. However, following her highly publicized physical and emotional breakdown, as well as the critical and commercial failure of her film Glitter (2001) and its accompanying soundtrack, her contract was bought out for $28 million by Virgin and she signed with Island Records the following year. After a relatively unsuccessful period, she returned to the top of music charts with The Emancipation of Mimi (2005), which became the best-selling album in the US, and the world’s second-best-selling album of 2005. Its second single, “We Belong Together“, topped the US Billboard Hot 100 decade-end chart (the 2000s). Her performance in the 2009 film Precious won her the Breakthrough Actress Performance Award at the Palm Springs International Film Festival. Carey’s subsequent ventures included serving as a judge on American Idol, starring in the docu-series Mariah’s World, appearing in the films The Butler (2013), A Christmas Melody (2015), and The Lego Batman Movie (2017), and publishing her 2020 memoir The Meaning of Mariah Carey.

With sales of over 200 million records worldwide, she is also one of the best-selling music artists of all time. Nineteen of Carey’s songs have topped the Billboard Hot 100. Furthermore, she holds the record for the most number-one singles by a solo artista female songwriter (eighteen), and a female producer (fifteen). According to the Recording Industry Association of America (RIAA), she is the highest certified female artist in the United States, with 68.5 million certified album units tying with Barbra Streisand. Carey was ranked second on VH1‘s list of the 100 Greatest Women in Music, and in 2019, Billboard named her the all-time top female artist in the United States, based on both album and song chart performances. Aside from her commercial accomplishments, Carey has won five Grammy Awards, nineteen World Music Awards, ten American Music Awards, and fifteen Billboard Music Awards.[5] An inductee of the Songwriters Hall of Fame, she is noted for inspiring other artists in R&B and was one of the first artists to popularize hip hop into popular music.

 

Career

 

1988–1992: Career beginnings, Mariah Carey and Emotions

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Carey exiting Shepherd’s Bush Empire after promoting her single “Vision of Love” on Wogan in 1990

In December 1988, Carey accompanied Starr to a CBS record executives’ gala, where she handed her demo tape to the head of Columbia RecordsTommy Mottola.[27][28] After listening to the tape during the ride home, he immediately requested the driver turn around. Carey had already left the event, and in what has been described as a modern-day Cinderella story, he spent the next two weeks in search of her.[27] Another record label expressed interest, and a bidding war ensued. Mottola signed Carey to Columbia and enlisted the talents of top producers Ric WakeNarada Michael Walden, and Rhett Lawrence.[27] Columbia marketed Carey as the main female artist on their roster, competing with Arista‘s Whitney Houston and Madonna of Sire Records.[29] On June 5, 1990, she made her first public appearance at the 1990 NBA Finals, singing “America the Beautiful“. The highlight was the piercing whistle note toward the song’s conclusion, sparking CBS Sports anchor Pat O’Brien to declare, “The palace now has a queen.”[30]

Columbia spent upwards of $1 million promoting Carey’s debut studio album, Mariah Carey.[31] After a slow start, the album eventually topped the Billboard 200 for eleven consecutive weeks, after Carey’s exposure at the 33rd Annual Grammy Awards, where she won the award for Best New Artist, and Best Female Pop Vocal Performance for her single “Vision of Love.”[32][33] The album’s singles “Vision of Love”, “Love Takes Time“, “Someday“, and “I Don’t Wanna Cry” all topped the US Billboard Hot 100.[34] Mariah Carey was the best-selling album in the United States in 1991,[35] and achieved worldwide sales of 15 million copies.[36]

The following year, Carey co-wrote, co-produced, and recorded her second studio effort, Emotions.[37][38] Described by Carey as a homage to the Motown soul music, Carey employed the help of Walter Afanasieff, who only had a small role on her debut, as well as Robert Clivillés and David Cole, from the dance group C+C Music Factory.[39] Carey’s relationship with Margulies deteriorated over a songwriting royalties dispute. After he filed a lawsuit against Columbia’s parent company, Sony, the songwriting duo parted ways.[38] Emotions were released on September 17, 1991. The title track, the album’s lead single, became Carey’s fifth chart-topper on the Billboard Hot 100, making her the first artist to have their first five singles reach the chart’s summit.[40] Though critics praised the album’s content and described it as a more mature effort, the album was criticized as calculated and lacking originality.[41] While the album managed sales of eight million copies globally, Emotions failed to reach the commercial and critical heights of its predecessor.[42]

Carey would once again refuse to embark on a world tour to promote the album.[43] Although she credited stage fright and the vocally challenging nature of her material, speculation grew that Carey was a “studio worm,” and that she was incapable of producing the perfect pitch and 5-octave vocal range for which she was known.[44][45] In hopes of putting to rest any speculation of her being a manufactured artist, Carey booked an appearance on MTV Unplugged.[46] The show presented artists “unplugged” or in a stripped setting and devoid of studio equipment.[46] Days before the show’s taping, Carey and Afanasieff chose to add a cover of the Jackson 5‘s 1970 song “I’ll Be There” to the set-list. On March 16, 1992, Carey played and recorded an intimate seven-song show at Kaufman Astoria Studios in Queens, New York.[47] The acclaimed revue was aired more than three times as often as the average episode.[48] It established Carey as a viable live act, with critics heralding it as a “vocal Tour de force”.[49] Carey’s live version of “I’ll Be There” became her sixth number-one single on the Billboard Hot 100 chart. Sony capitalized on its success and released it as an EP. It earned a triple-Platinum certification by the Recording Industry Association of America (RIAA),[50] and earned Gold and Platinum certifications in several European markets.[51]

1993–1996: Music BoxMerry Christmas, and Daydream

After Emotions failed to achieve the commercial heights of her debut album, Carey’s subsequent release was to be marketed as adult contemporary and pop-friendly. Music Box was produced by Carey and Afanasieff and began a songwriting partnership that would extend until 1997’s Butterfly.[52] The album was released on August 31, 1993, to mixed reviews from music critics. Carey’s songwriting was derided as clichéd and her vocal performances were described as less emotive and lazier in their delivery. In his review of the album, AllMusic‘s Ron Wynn concluded: “sometimes excessive spirit is preferable to an absence of passion.”[53] In promotion of the album, Carey embarked on her debut tour, a six-date concert series, the Music Box Tour.[54] Music Boxs second single, “Hero“, became Carey’s eighth chart-topper in the United States and has been recognized as her signature song. Her cover of Badfinger‘s “Without You” was a commercial breakthrough in Europe, becoming her first number-one single in Germany,[55] Sweden[56,], and the United Kingdom.[57] Music Box remains Carey’s best-seller and one of the best-selling albums of all time, with worldwide sales of over 28 million copies.[58]

In mid-1994, Carey recorded and released a duet with Luther Vandross; a cover of Lionel Richie and Diana Ross‘s “Endless Love“.[59] Merry Christmas, released on November 1, 1994, became the best-selling Christmas album of all time, with global sales of over 15 million copies.[60][61][62] The lead single, “All I Want for Christmas Is You“, became a holiday standard and continues to surge in popularity each holiday season.[63] By October 2017, it had become the 11th-bestselling single in modern music.[64] In 2019, 25 years after the song’s release, it finally peaked at number-one on the Billboard Hot 100 for the first time, and it continued to do so every December since, becoming the first song in history to hold the top position in more than two different chart years, as well as the longest-running holiday number-one song (five weeks).[65] Additionally, it is the longest-running number-one song on the Billboard Holiday 100, spending 44 cumulative weeks, of the chart’s 49 total weeks since the list launched in 2011.[66]

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Carey performed with Boyz II Men at Madison Square Garden in October 1995

Carey’s fifth studio album, Daydream, found her consolidating creative control over her career, leading to tensions with Columbia. The album featured a departure from her allegiance to pop and gravitated heavily towards R&B and hip hop.[67] Critically, the album was described as Carey’s best to date. The New York Times named it one of 1995’s best albums and concluded: “[the album] brings R&B candy-making to a new peak of textural refinement … Carey’s songwriting has taken a leap forward and become more relaxed, sexier and less reliant on thudding clichés.”[68] The album’s lead single, “Fantasy“, became the first single by a female artist to debut at number one on the Billboard Hot 100,[69] and the second single, “One Sweet Day“, a collaboration with R&B group Boyz II Men, remained atop the Billboard Hot 100 for a record-breaking 16 consecutive weeks, becoming, at the time, the longest-running number-one song in the history of the charts.[70]

Daydream became her biggest-selling album in the United States,[71] and her second album to be certified Diamond by the RIAA, after Music Box.[50] The album continued Carey’s dominance in Asian music markets and sold more than 2.2 million copies in Japan alone and over 20 million copies globally.[72][73] Daydream and its singles were nominated in six categories at the 38th Grammy Awards.[74] Though considered a favorite to win the top awards of the evening, Carey was shut out, prompting her to comment “What can you do? I will never be disappointed again.”[75] In early 1996, she embarked on her first international string of concerts, the Daydream World Tour. Its seven dates spanned three in Japan and four throughout Europe.[76]

During the recording of Daydream, Carey also worked on the alternative rock album Someone’s Ugly Daughter by the band Chick, contributing writing, production, vocals, and art direction. As Columbia Records refused to release the album with her lead vocals, Carey’s friend Clarissa Dane was brought in to become the face of Chick, and her vocals were layered on top of Carey’s, masking her voice.[77] Carey also directed the music video for the Chick song “Malibu”. According to Carey, “I was playing with the style of the breezy-grunge, punk-light white female singers who were popular at the time … I looked forward to doing my alter-ego band sessions after Daydream each night.”[78] Her contributions were secret until the release of her 2020 memoir The Meaning of Mariah Carey.[78]

1997–2000: New image and independence, Butterfly, and Rainbow

Carey’s subsequent musical releases followed the trend that began with Daydream. Her music began relying less on pop and adult contemporary-tinged balladry and instead incorporating heavy elements of hip-hop and R&B. On Butterfly, Carey collaborated with a bevy of producers other than Afanasieff, such as Sean CombsQ-TipMissy Elliot,t, and Jean Claude Olive,r, and Samuel Barnes from Trackmasters.[79] In mid-1997, after four years of marriage, Carey and Mottola separated. Carey described Mottola as increasingly controlled and viewed her newfound independence as a new lease on life.[80] In the booklet of her twelfth studio album, Memoirs of an Imperfect Angel (2009), Carey wrote that she considers Butterfly her magnum opus and a turning point in both her life and career. Butterfly introduced a more subdued style of singing, with critics noting Carey’s incorporation of breathy vocals.[81] Some viewed her lack of propensity to use her upper range as a sign of maturity,[82] while others questioned whether it forebode waning vocal prowess.[83][84] The music video for the album’s lead single, “Honey“, her first since separating from Mottola, introduced a more overtly sexual image.[85]The butterflies became Carey’s best-reviewed album, with attention placed on the album’s exploration of more mature lyrical themes. In their review of the album, Rolling Stone wrote “[It’s] not as if Carey has totally dispensed with her old saccharine, Houston-style balladry … but the predominant mood of ‘Butterfly’ is one of coolly erotic reverie.”[86] AllMusic editor Stephen Thomas Erlewine described Carey’s vocals as “sultrier and more controlled than ever,” and felt the album “illustrates that Carey continues to improve and refine her music, which makes her a rarity among her ’90s peers.'”[87] Though a commercial success, the album failed to reach the commercial heights of her previous albums, Music Box and Daydream.[88]

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Carey at the Edwards Air Force Base during the making of the “I Still Believe” music video in December 1998

After concluding her Butterfly World Tour, Carey partook in the VH1 Divas benefit concert on April 14, 1998, where she sang alongside Aretha FranklinCeline DionShania TwainGloria Estefan, and Carole King.[89] Carey began conceptualizing a film project All That Glitters, later re-titled to simply Glitter (2001),[90], and wrote songs for other projects, such as Men in Black (1997) and How the Grinch Stole Christmas (2000).[91] After Glitter fell into developmental hell, Carey postponed the project and began writing material for a new album.[91] Sony Music executives insisted she prepare a greatest hits collection in time for the holiday season.[92] The album, titled #1’s (1998), featured a cover of Brenda K. Starr‘s “I Still Believe” and a duet with Whitney Houston, “When You Believe“, which was included on the soundtrack for The Prince of Egypt (1998).[93] #1’s became a phenomenon in Japan, selling over one million copies in its opening week, making Carey the only international artist to accomplish this feat.[94] It sold over 3.25 million copies in Japan in its first three months on sale and holds the record as the best-selling album by a non-Asian artist.[94]

With only one album left to fulfill her contract with Sony, and with a burning desire to separate herself professionally from the record label her ex-husband still headed, Carey completed the album in three months in mid-1999.[95] Titled Rainbow, the album found Carey exploring with producers which she had not worked with before. Rainbow became Carey’s first album to not feature a collaboration with her longtime writing partner, Walter Afanasieff, instead choosing to work with David Foster and Diane Warren. The album’s lead single, “Heartbreaker“, featured guest vocals from rapper Jay-Z and a remix produced by DJ Clue?.[96] Rainbow was released on November 2, 1999, to the highest first-week sales of her career at the time, however, debuting at number two on the Billboard 200.[97] Carey’s tense relationship with Columbia grew increasingly fractious; Carey began posting messages on her website, sharing inside information with fans on the dispute, as well as instructing them to request “Can’t Take That Away (Mariah’s Theme)” on radio stations.[98] Ultimately, the song was only given a very limited and low-promotion release.[99] Critical reception of Rainbow was generally positive, with the consensus finding: “what began on Butterfly as a departure ends up on Rainbow a progression – perhaps the first compelling proof of Carey’s true colors as an artist.”[100] Though a commercial success, Rainbow became Carey’s lowest-selling album at that point in her career.[101]

2001–2004: Personal and professional struggles, Glitter and Charmbracelet

Carey received Billboards Artist of the Decade Award and the World Music Award for Best-Selling Pop Female Artist of the Millennium,[102] and parted from Columbia Records. She signed an unprecedented $100 million, a five-album recording contract with Virgin Records (EMI Records) in April 2001.[103] Glitter was a complete musical departure from any of her previous releases, focusing heavily on recreating a 1980s post-disco era to accompany the film, set in 1983. Carey was given full conceptual and creative control over the project.[103] She said that Columbia had regarded her as a commodity, with her separation from Mottola exacerbating her relations with label executives. Carey’s three-year relationship with Latin singer Luis Miguel ended.[104] In July 2001, Carey suffered a physical and emotional breakdown. She began posting a series of disturbing messages on her official website and displayed erratic behavior on several live promotional outings.[105] On July 19, 2001, Carey made a surprise appearance on the MTV program Total Request Live (TRL).[106] As the show’s host Carson Daly began taping following a commercial break, Carey came out pushing an ice cream cart while wearing a large men’s shirt and began a striptease, in which she revealed a tight yellow and green ensemble.[106] Days later, she posted irregular voice notes on her website: “I’m trying to understand things in life right now and so I don’t feel that I should be doing music right now. What I’d like to do is just a take a little break or at least get one night of sleep without someone popping up about a video. All I really want is [to] just be me and that’s what I should have done in the first place … I don’t say this much but guess what, I don’t take care of myself.”[106] Following the quick removal of the messages, Berger commented that Carey had been “obviously exhausted and not thinking clearly” when she posted the letters.[107]

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Carey performed “Hero” during her Charmbracelet World Tour in September 2003

On July 26, Carey was hospitalized, citing “extreme exhaustion” and a “physical and emotional breakdown.”[108] She was admitted to an undisclosed hospital in Connecticut, and remained under doctor’s care for two weeks, followed by an extended absence from the public.[108] Virgin Records and 20th Century Fox delayed the release of both Glitter, as well as its soundtrack of the same name.[107][109] Carey credited the project’s poor performance on her state of mind during the time of its release, its postponement, as well as the soundtrack having been released on September 11.[110] Critics panned Glitter and its accompanying soundtrack; both were unsuccessful commercially.[111] The soundtrack became Carey’s lowest-selling album to that point. The St. Louis Post-Dispatch dismissed it as “an absolute mess that’ll go down as an annoying blemish on [her] career.”[112] Carey’s $80 million record deal with Virgin Records was bought out for $28 million.[103][113] She flew to Capri, Italy, for five months, where she wrote material for a new album.[105] She described her time at Virgin was “a complete and total stress-fest … I made a total snap decision which was based on money and I never make decisions based on money. I learned a big lesson from that.”[114] She signed a contract with Island Records, valued at more than $24 million,[115] and launched the record label Monarc. Carey’s father, Alfred Roy, with whom she had little contact since childhood, died of cancer that year.[116] In 2002, Carey was cast in the independent film, WiseGirls, alongside Mira Sorvino and Melora Walters, who co-starred as waitresses at a mobster-operated restaurant. It premiered at the Sundance Film Festival, and received a generally negative critical response, though Carey’s portrayal of the character was praised; Roger Friedman of Fox News referred to her as “a Thelma Ritter for the new millennium,” and wrote, “Her line delivery is sharp and she manages to get the right laughs.”[117] Carey performed the American national anthem at the Super Bowl XXXVI at the Louisiana Superdome in New Orleans, Louisiana.[118]

In December 2002, Carey released her ninth studio album Charmbracelet, which she said marked “a new lease on life” for her.[119] Sales of Charmbracelet were moderate and the quality of Carey’s vocals came under criticism. Joan Anderson from The Boston Globe declared the album “the worst of her career and revealed a voice [that is] no longer capable of either gravity-defying gymnastics or soft coos,”[120] while AllMusic editor Stephen Thomas Erlewine wrote, “Mariah’s voice is shot, sounding in tatters throughout the record. She can no longer coo or softly croon nor can she perform her trademark gravity-defying vocal runs.”[121] In April 2003, Carey announced that she would be embarking on a world tour in support of the album. The Charmbracelet World Tour: An Intimate Evening with Mariah Carey, spanned across North America and East Asia over three months.[122] The United States leg of the tour was booked in theaters. She described the show as “much more intimate so you’ll feel like you had an experience. You experience a night with me.”[123] While smaller venues were booked throughout the tour’s stateside leg, Carey performed in stadiums in Asia and Europe, playing for a crowd of over 35,000 in Manila, 50,000 in Malaysia, and over 70,000 people in China.[124] In the United Kingdom, it became her first tour to feature shows outside London, booking arena stops in Glasgow, Birmingham, and Manchester.[125] The tour garnered generally positive reviews from music critics and concertgoers, with many complimenting the tour’s production and the quality of Carey’s vocals.[126]

2005–2007: Resurgence with The Emancipation of Mimi

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Carey, pictured with former Island Records head L.A. Reid in 2005, at the release party for The Emancipation of Mimi

Carey’s tenth studio album, The Emancipation of Mimi, was produced with the NeptunesKanye West, and Carey’s longtime collaborator, Jermaine Dupri. She described the album as “very much like a party record … the process of putting on makeup and getting ready to go out … I wanted to make a record that was reflective of that.”[127] The Emancipation of Mimi topped the charts in the United States, becoming Carey’s fifth number-one album and first since Butterfly (1997), and was warmly accepted by critics. Caroline Sullivan of The Guardian defined it as “cool, focused and urban [… some of] the first Mariah Carey tunes in years which I wouldn’t have to be paid to listen to again,”[128] while USA Todays Elysa Gardner wrote, “The [songs] truly reflect the renewed confidence of a songbird who has taken her shots and kept on flying.”[129] The album’s second single, “We Belong Together“, became a “career re-defining”[130] song for Carey, after a relatively unsuccessful period and a point when many critics had considered her career over.[131] Music critics heralded the song as her “return to form,”[132] as well as the “return of The Voice,”[132] while many felt it would revive “faith” in Carey’s potential as a balladeer.[127] “We Belong Together” broke several records in the United States and became Carey’s sixteenth chart-topper on the Billboard Hot 100.[133] After staying at number one for fourteen non-consecutive weeks, the song became the second longest-running number one song in US chart history, behind Carey’s 1996 collaboration with Boyz II Men, “One Sweet Day“.[133] Billboard listed it as the “song of the decade” and the ninth most popular song of all time.[134] The song broke several airplay records, and according to Nielsen BDS, and gathered both the largest one-day and one-week audiences in history.[135]

During the week of September 25, 2005, Carey set another record, becoming the first female to occupy the first two spots atop the Hot 100, as “We Belong Together” remained at number one, and her next single, “Shake It Off“, moved into the number two spot (Ashanti had topped the chart in 2002 while being a “featured” singer on the number two single). On the Billboard Hot 100 Year-end Chart of 2005, the song was declared the number one song, a career first for Carey.[136] Billboard listed “We Belong Together” ninth on The Billboard Hot 100 All-Time Top Songs and was declared the most popular song of the 2000s decade by Billboard.[137] The album was re-released as The Ultra Platinum Edition.

The Emancipation of Mimi earned ten Grammy Award nominations: eight in 2006 for the original release (the most received by Carey in a single year),[138] and two in 2007 for the Ultra Platinum Edition (from which “Don’t Forget About Us” became her seventeenth number-one hit). Carey won Best Contemporary R&B Album and Best Female R&B Vocal Performance and Best R&B Song for “We Belong Together”.[138] The Emancipation of Mimi was the best-selling album in the United States in 2005, with nearly five million units sold. It was the first album by a solo female artist to become the year’s best-selling album since Alanis Morissette‘s Jagged Little Pill in 1996.[139] At the end of 2005, the IFPI reported that The Emancipation of Mimi had sold more than 7.7 million copies globally, and was the second-best-selling album of the year after Coldplay‘s X&Y.[140][141][142] To date, The Emancipation of Mimi has sold over 12 million copies worldwide.[143] In support of the album, Carey embarked on her first headlining tour in three years, named The Adventures of Mimi after a “Carey-centric fan’s” music diary.[144] The tour spanned 40 dates, with 32 in the United States and Canada, two in Africa, and six in Japan.[145] It received a warm reception from music critics and concertgoers, many of which celebrated the quality of Carey’s vocals.[146][147]

2008–2009: E=MC²Memoirs of an Imperfect Angel, and Precious

In early 2007, Carey began to work on her eleventh studio album, E=MC², in a private villa in Anguilla.[148] Although E=MC² was well received by most critics,[149] some of them criticized it for being very similar to the formula used on The Emancipation of Mimi.[150] Two weeks before the album’s release, “Touch My Body“, the record’s lead single, reached the top position on the Billboard Hot 100, becoming Carey’s eighteenth number one and making her the solo artist with the most number-one singles in United States history, pushing her past Elvis Presley into second place according to the magazine’s revised methodology.[151] Carey is second only to The Beatles, who have twenty number-one singles. Additionally, it gave Carey her 79th week atop the Hot 100, tying her with Presley as the artist with the most weeks at number one in the Billboard chart history.”[152]

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Carey at the 2008 Tribeca Film Festival

E=MC² debuted at number one on the Billboard 200 with 463,000 copies sold, the biggest opening week sales of her career.[153] In 2008, Carey also played an aspiring singer named Krystal in Tennessee[154] and had a cameo appearance in Adam Sandler‘s film You Don’t Mess with the Zohan, playing herself.[155] Since the album’s release, Carey had planned to embark on an extensive tour in support of E=MC².[156] However, the tour was suddenly canceled in early December 2008.[157] Carey later stated that she had been pregnant during that time, and suffered a miscarriage, hence she canceled the tour.[158][159] On January 20, 2009, Carey performed “Hero” at the Neighborhood Inaugural Ball after Barack Obama was sworn as the first African-American president of the United States.[160] On July 7, 2009, Carey – alongside Trey Lorenz – performed her version of The Jackson 5 song “I’ll Be There” at the memorial service for Michael Jackson.[161]

In 2009, she appeared as a social worker in Precious, the movie adaptation of the 1996 novel Push by Sapphire. The film garnered mostly positive reviews from critics, also for Carey’s performance.[162] Variety described her acting as “pitch-perfect.”[163] In January 2010, Carey won the Breakthrough Actress Performance Award for her role in Precious at the Palm Springs International Film Festival.[164] On September 25, 2009, Carey’s twelfth studio album, Memoirs of an Imperfect Angel, was released. Reception for the album was mostly mixed; Stephen Thomas Erlewine of AllMusic called it “her most interesting album in a decade,”[165] while Jon Caramanica from The New York Times criticized Carey’s vocal performances, decrying the overuse of her softer vocal registers at the expense of her more powerful lower and upper registers.[166] Commercially, the album debuted at number three on the Billboard 200 and became the lowest-selling studio album of her career.[167] The album’s lead single, “Obsessed“,[168] debuted at number eleven and peaked at number seven on the chart, and became Carey’s 27th US top-ten hit, tying her with Elton John and Janet Jackson as the fifth most top-ten hits.[168] The album’s follow-up single, a cover of Foreigner‘s “I Want to Know What Love Is“, managed to break airplay records in Brazil. The song spent 27 weeks atop the Brasil Hot 100 Airplay, making it the longest-running song in the chart’s history.[169]

On December 31, 2009, Carey embarked on her seventh concert tour, Angels Advocate Tour, which visited the United States and Canada and ended on September 26, 2010.[170][171] A planned remix album of Memoirs of an Imperfect Angel; titled Angels Advocate was slated for a March 30, 2010 release, but was eventually canceled.[172]

2010–2014: Merry Christmas II You and Me. I Am Mariah… The Elusive Chanteuse

Following the cancellation of Angels Advocate, it was announced that Carey would return to the studio to start work on her thirteenth studio album.[173] It was later revealed that it would be her second Christmas album and follow-up to Merry Christmas.[61] Longtime collaborators for the project included Jermaine DupriJohntá AustinBryan-Michael Cox, and Randy Jackson, as well as new collaborators such as Marc Shaiman.[174] The release date for the album, titled Merry Christmas II You, was November 2, 2010;[175] the tracklist included six new songs as well as a remix of “All I Want for Christmas Is You“.[176] Merry Christmas II You debuted at number four on the Billboard 200 with sales of 56,000 copies, becoming Carey’s 16th top ten albums in the United States.[177] The album debuted at number one on the R&B/Hip-Hop Albums chart, making it only the second Christmas album to top this chart.[178]

In May 2010, Carey dropped out of her planned appearance in For Colored Girls, the film adaptation of the play For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, citing medical reasons.[179] In February 2011, Carey announced that she had begun writing new material for her upcoming fourteenth studio album. Carey recorded a duet with Tony Bennett for his Duets II album, titled “When Do The Bells Ring For Me?”[180] In October 2011, Carey announced that she re-recorded “All I Want for Christmas Is You” with Justin Bieber as a duet for his Christmas album, Under the Mistletoe.[181][182] In November 2011, Carey was included in the remix to the mixtape single “Warning” by Uncle Murda; the remix also features 50 Cent and Young Jeezy.[183] That same month, Carey released a duet with John Legend titled “When Christmas Comes“, originally part of Merry Christmas II You.[184]

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Carey performing on Good Morning America in May 2013

On March 1, 2012, Carey performed at New York City‘s Gotham Hall; her first time performing since pregnancy.[185][186] She also performed a three-song set at a special fundraiser for U.S. President Barack Obama held in New York’s Plaza Hotel. A new song titled “Bring It On Home”, which Carey wrote for the event to show her support for Obama’s re-election campaign, was also performed.[187] In August 2012, she released a stand-alone single, “Triumphant (Get ‘Em)“, featuring rappers Rick Ross and Meek Mill and co-written and co-produced by Carey, Jermaine Dupri, and Bryan-Michael Cox.[188][189] Carey joined the judging panel of the twelfth season of American Idol as Jennifer Lopez‘s replacement, joining Randy JacksonNicki Minaj, and Keith Urban.[190][191] Throughout the show, there were on-set disagreements between Minaj and Carey.[192][193] Three years later, Carey did not make an appearance for its original series finale.[194][195] Carey appeared in Lee Daniels‘ 2013 film The Butler, about a White House butler who served eight American presidents over three decades.[196][197] Carey made guest voice-star as a redneck character on the adult animated series American Dad! on November 24, 2013.[198][199]

In February 2013, Carey recorded and released a song called “Almost Home“, for the soundtrack of the Walt Disney Studios film Oz the Great and Powerful. The video was directed by photographer David LaChapelle.[200][201] For her 14th album, Carey worked with producers including DJ Clue?Randy JacksonQ-TipR. KellyDavid MoralesLoris HollandStevie JJames Fauntleroy II, Ray Angry, Afanasieff, Dupri, Bryan-Michael Cox, James “Big Jim” Wright, Hit-BoyThe-DreamDa Brat, and Rodney Jerkins. Carey told Billboard: “It’s about making sure I have tons of good music, because at the end of the day that’s the most important thing… There are a lot more raw ballads than people might expect…there are also uptempo and signature-type songs that represent [my] different facets as an artist.”[202]

The lead single, “Beautiful” featuring singer Miguel, was released on May 6, 2013, and peaked at number 15 on the Hot 100.[203] Carey taped a performance of “Beautiful” along with a medley of her greatest hits on May 15, 2013; the taping aired on the American Idol finale the following day.[204] On October 14, 2013, Carey announced that the album’s former title track has been chosen as the second single; it premiered via Facebook on November 11, 2013. During a Q&A session following the song’s release, Carey gave an update about the album, stating: “Now I’ve been inspired to add two more songs, so we’re almost there. I can’t even express this properly but I feel like this is gonna be my favorite album.”[205] Following another song release, “You’re Mine (Eternal)“,[206] it was announced that The Art of Letting Go would no longer be the title of the album.[207] After the final name was announced, Me. I Am Mariah… The Elusive Chanteuse was released on May 27, 2014.[208]

In October 2014, Carey announced All I Want For Christmas Is You, A Night of Joy & Festivity, an annual residency show at the Beacon Theatre in New York City.[209] The first leg included six shows, running from December 15 to 22, 2014.[210] Carey announced the second leg in October 2015.[211] The second leg ran for 8 shows, from December 8–18, 2015.[212]

2015–2017: Las Vegas residency, television, and film projects

On January 30, 2015, it was announced that Carey had left Universal Music Group‘s Def Jam Recordings to re-unite with L.A. Reid and Sony Music via Epic Records.[213][214][215] Carey also announced her new #1 to Infinity residency at The Colosseum at Caesars Palace in Las Vegas the same month.[216] To coincide with the residency, Carey released #1 to Infinity, a greatest hits compilation album containing all of her eighteen Billboard Hot 100 number one singles at the time, along with a new recording, “Infinity“, which was released as a single on April 27.[217] In 2015 Carey had her directorial debut for the Hallmark Channel Christmas movie A Christmas Melody, in which she also performed as one of the main characters. Filming for the project took place in October 2015.[218] In December 2015, Carey announced The Sweet Sweet Fantasy Tour which spanned a total of 27-dates beginning in March 2016, marking Carey’s first major tour of mainland Europe in 13 years. Four stops included shows in South Africa.[219] The tour grossed $30.3 million.[220]

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Carey attending Elton John‘s Academy Awards Party in February 2016

On March 15, 2016, Carey announced that she was filming Mariah’s World, a docu-series for the E! network documenting her Sweet Sweet Fantasy tour and her wedding planning process. Carey told The New York Times, “I thought it would be a good opportunity to kind of, like, show my personality and who I am, even though I feel like my real fans have an idea of who I am… A lot of people have misperceptions about this and that.”[221] The series premiered on December 4, 2016.[222] Carey guest starred on the musical drama Empire, as a superstar singer named Kitty and sung the song “Infamous” featuring Jussie Smollett.[223] On December 5, 2016, Carey participated in the VH1 Divas Holiday: Unsilent Night benefit concert, alongside Vanessa WilliamsChaka KhanPatti Labelle, and Teyana Taylor.[224] On December 31, 2016, Carey’s performance on Dick Clark’s New Year’s Rockin’ Eve in Times Square received worldwide attention after technical difficulties caused Carey’s in-ear monitors to malfunction, resulting in what The New York Times referred to as a “performance train wreck.”[225] Carey cited her inability to hear the music without in-ear auditory feedback as the cause for the mishap.[226] Carey’s representatives and Dick Clark Productions placed blame on each other.[227]

On February 3, 2017, Carey released the single “I Don’t” featuring YG.[228] Later that month, she voiced the Mayor of Gotham City in the animated film The Lego Batman Movie.[229] In July 2017, Carey made a cameo in the comedy film Girls Trip, starring Queen LatifahJada Pinkett SmithRegina Hall, and Tiffany Haddish.[230] The same month, Carey embarked on a tour with Lionel Richie, titled, All the Hits Tour.[231] Carey was also featured in the official remix for French Montana‘s single “Unforgettable“, alongside Swae Lee.[232] In October 2017, she released a new soundtrack single, “The Star“, for the movie of the same name.[233] Carey also developed an animated Christmas film, titled Mariah Carey’s All I Want For Christmas Is You, for which she recorded an original song called “Lil’ Snowman.” The film was released direct-to-video on November 14, 2017.[234][235] In the same month, Carey resumed her All I Want for Christmas Is You, a Night of Joy and Festivity concert series, which for the first time visited other countries including England and France.[236] On December 31, 2017, Carey returned to perform on Dick Clark’s New Year’s Rockin’ Eve after the technical difficulties that hindered her previous performance, in what The New York Times described as a “made-for-television act of pop culture redemption”.[237]

2018–2019: Caution and Merry Christmas reissue

In 2018, Carey signed a worldwide deal with Live Nation Entertainment.[238] The first commitment out of the deal was her new Las Vegas residency, The Butterfly Returns, which was launched in July 2018 to critical acclaim.[239][240] Its first 12 shows in 2018 grossed $3.6 million, with dates later extending into 2019 and 2020.[241] Following the residency, Carey embarked on her Mariah Carey: Live in Concert tour in Asia and returned to Europe with her All I Want for Christmas Is You concert series.[242][243] While on tour, a representative from Sony Music Asia Pacific presented Carey with a certificate for achieving 1.6 billion sales units in Asia Pacific.[244] In September 2018, Carey announced plans to release her fifteenth studio album later in the year.[245][246] The project was announced alongside the release of a new song titled “GTFO“,[247] which she performed on September 21, 2018, when she headlined the 2018 iHeartRadio Music Festival.[248] The album’s lead single, “With You“, was released in October and performed for the first time at the American Music Awards of 2018.[249] The single became Carey’s highest-charting non-holiday song on the US Adult Contemporary chart since “We Belong Together”,[250] and the third highest-charting song of her career on the Adult R&B Songs chart.[251] A second single, “A No No“, was released in March 2019 and peaked at number 17 at US R&B Digital Song Sales.[252][253] The album, titled Caution, was released on November 16, 2018, and received universal acclaim from critics.[254] Caution was described as a “fine-tuning” of Carey’s previous work[255] and was praised for its freshness which made it “pleasingly defiant.”[256] By December 2018, the album had been featured on numerous year-end lists by music critics and publications.[257]

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Carey performing on her Caution World Tour in Amsterdam, June 2019

In February 2019, Carey commenced the Caution World Tour in support of the album.[258] Reviewing her three-day residency at the Royal Albert Hall, Michael Cragg from The Guardian described Carey’s “incredible, playful performances” as a testament to her status as a “gold-plated pop diva”.[259] Kate Solomon from The Daily Telegraph acclaimed the shows as being a “a surreal but wildly enjoyable showcase of a brighter, more fun side of the pop icon”.[260] Carey also engaged in a series of both business and television ventures. On May 29, 2019, the film Always Be My Maybe, inspired by the song “Always Be My Baby”, was published on Netflix.[261] The film received generally favorable reviews from critics and was a commercial success, having been viewed by over 32 million households within its first four weeks of release.[262] On August 25, 2019, Carey signed a $12 million contract with the Walkers crisps brand as part of their Christmas campaign.[263] Carey also appeared in a Walkers commercial, which was released on November 2, 2019; it was praised by critics for its humor.[263][264] On September 18, 2019, Carey released “In the Mix“, the theme song for the ABC sitcom Mixed-ish.[265]

On November 1, 2019, Carey re-released her holiday album Merry Christmas for its 25th anniversary. The album package included the original album and another disc which include live performances from Carey’s 1994 concert at St. John the Divine Church, several tracks from Merry Christmas II You, as well as other stand-alone singles such as “Lil Snowman” and “The Star”.[266] In conjunction with this, she organized a gift guide with Amazon,[267] and partnered for an exclusive Christmas ornament with Swarovski.[268] On December 5, 2019, it was announced that a mini-documentary charting the creation and subsequent cultural legacy of “All I Want for Christmas Is You” was to be produced and broadcast on Amazon Music; it aired later that month.[269] Peaking at number one on the Billboard Hot 100 for the first time the same year, the song ended up giving Carey her nineteenth chart-topper in the US, which not only extended her record as being the solo artist with the most number-one singles on the Hot 100, but also made her the only artist in history to have a number-one single in four consecutive decades.[270]

2020–present: The Rarities and The Meaning of Mariah Carey

In January 2020, it was announced that Carey would be inducted into the Songwriters Hall of Fame during that year’s ceremony on June 11, 2020 at the Marriott Marquis Hotel in New York City.[271] Her memoir, The Meaning of Mariah Carey, co-written with Michaela Angela Davis, was published the following September.[272] It recounts an “improbable and inspiring journey of survival and resilience as she struggles through complex issues of race, identity, class, childhood, and family trauma during her meteoric rise to music superstardom”.[273] The memoir became a number one New York Times Best Seller after its first week of release. Carey announced plans to celebrate the 30th anniversary of her debut album through the rest of 2020, in a promotional campaign billed “#MC30”.[274] The first release consisted of the live EP The Live Debut – 1990 which was released on July 17, 2020.[275] The digital-only release includes live performances from Carey’s debut showcase at New York City‘s Club Tatou on October 22, 1990.[276]

On September 13, 2020, she released the music video for “Save the Day” as part of the airing of the U.S. Open.[277] Four days later, the album’s second single—a cover of Irene Cara‘s “Out Here on My Own“—was released after Carey originally it recorded in 2000.[278][279] On October 2, 2020, Carey released a compilation album called The Rarities, following a lead single “Save the Day” featuring Lauryn Hill released on August 20. The album includes rare and unreleased songs that Carey recorded at various stages of her career.[280][281][282][283][284][285] At the end of the same month, Carey was featured on the track “Where I Belong” from Busta Rhymes‘ album Extinction Level Event 2: The Wrath of God.[286]

Carey’s 2020 Christmas specialMariah Carey’s Magical Christmas Special, premiered on December 4, 2020 on Apple TV+ along with a soundtrack. The special featured guests, including Ariana GrandeJennifer HudsonSnoop DoggMisty CopelandJermaine Dupri, and Mykal-Michelle Harris. A new version of Carey’s 2010 song “Oh Santa!“, featuring guest vocals from Grande and Hudson, was released as a single the same day,[287] and peaked at No. 76 on the Billboard Hot 100.[288] One week later, “All I Want for Christmas Is You” topped the UK charts for the first time after spending a record 69 weeks in its top 40 prior to reaching the summit, becoming Carey’s third number-one song in the country.[289]

On June 2, 2021, Carey was featured on a new single with Jimmy Jam and Terry Lewis, titled “Somewhat Loved“, from their debut studio album Jam & Lewis: Volume One.[290] On November 2, 2021, Carey teased a snippet of a new song titled “Fall in Love at Christmas“, which features Khalid and Kirk Franklin. The single was released on November 5, and will serve as the lead single for the sequel soundtrack to Mariah Carey’s Magical Christmas Special.[291]

Artistry

Influences

Carey has said that from childhood she has been influenced by Billie HolidaySarah Vaughan, and R&B and soul musicians such as Al GreenStevie WonderGladys Knight and Aretha Franklin.[292] Her music contains strong influences of gospel music, and she credits the Clark SistersShirley Caesar and Edwin Hawkins as the most influential in her early years.[292] When Carey incorporated hip hop into her sound, speculation arose that she was making an attempt to take advantage of the genre’s popularity, but she told Newsweek, “People just don’t understand. I grew up with this music.”[293] She has expressed appreciation for rappers such as the Sugarhill GangEric B. & Rakim, the Wu-Tang ClanThe Notorious B.I.G. and Mobb Deep, with whom she collaborated on the single “The Roof (Back in Time)” (1998).[294] Carey was heavily influenced by Minnie Riperton, and began experimenting with the whistle register due to her original practice of the range.[294]

During Carey’s career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence,[295] and Celine Dion. Carey and her peers, according to Garry Mulholland, are “the princesses of wails … virtuoso vocalists who blend chart-oriented pop with mature MOR torch song.”[296] Author and writer Lucy O’Brien attributed the comeback of Barbra Streisand‘s “old-fashioned showgirl” to Carey and Dion, and described them and Houston as “groomed, airbrushed and overblown to perfection.”[296] Carey’s musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was “schmaltzy MOR.”[296] Some have noted that unlike Houston and Dion, Carey writes and produces her own music.[297]

Musical style

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Carey performing at the Walt Disney World Resort in 2010

Love is the subject of the majority of Carey’s lyrics, although she has written about themes such as loss, sex, race, abuse and spirituality.[298][299] She has said that much of her work is partly autobiographical, but Time magazine’s Christopher John Farley wrote: “If only Mariah Carey’s music had the drama of her life. Her songs are often sugary and artificial—NutraSweet soul. But her life has passion and conflict,” applying it to the first stages of her career. He commented that as her albums progressed, so too her songwriting and music blossomed into more mature and meaningful material.[300] Jim Faber of the New York Daily News, made similar comments, “For Carey, vocalizing is all about the performance, not the emotions that inspired it. Singing, to her, represents a physical challenge, not an emotional unburdening. While reviewing Music Box, Stephen Holden from Rolling Stone commented that Carey sang with “sustained passion,” while Arion Berger of Entertainment Weekly wrote that during some vocal moments, Carey becomes “too overwhelmed to put her passion into words.”In 2001, The Village Voice wrote in regards to what they considered Carey’s “centerless ballads,” writing, “Carey’s Strawberry Shortcake soul still provides the template with which teen-pop cuties draw curlicues around those centerless [Diane] Warren ballads […..] it’s largely because of [Blige] that the new R&B demands a greater range of emotional expression, smarter poetry, more from-the-gut testifying, and less [sic] unnecessary notes than the squeaky-clean and just plain squeaky Mariah era. Nowadays it’s the Christina Aguileras and Jessica Simpsons who awkwardly oversing, while the women with roof-raising lung power keep it in check when tune or lyric demands.

Carey’s output makes use of electronic instruments such as drum machines keyboards and synthesizers.Many of her songs contain piano-driven melodies,[305] as she was given piano lessons when she was six years old.Carey said that she cannot read sheet music and prefers to collaborate with a pianist when composing her material, but feels that it is easier to experiment with faster and less conventional melodies and chord progressions using this technique.While Carey learned to play the piano at a young age, and incorporates several ranges of production and instrumentation into her music, she has maintained that her voice has always been her most important asset: “My voice is my instrument; it always has been.

Carey began commissioning remixes of her material early in her career and helped to spearhead the practice of recording entirely new vocals for remixes. Disc jockey David Morales has collaborated with Carey on several occasions, starting with “Dreamlover” (1993), which popularized the tradition of remixing R&B songs into house records, and which Slant magazine named one of the greatest dance songs of all time. From “Fantasy” (1995) onward, Carey enlisted both hip-hop and house producers to re-structure her album compositions. Entertainment Weekly included two remixes of “Fantasy” on a list of Carey’s greatest recordings compiled in 2005: a National Dance Music Award-winning remix produced by Morales, and a Sean Combs production featuring rapper Ol’ Dirty Bastard. The latter has been credited with popularizing the R&B/hip-hop collaboration trend that has continued into the 2000s, through artists such as Ashanti and Beyoncé. Combs said that Carey “knows the importance of mixes, so you feel like you’re with an artist who appreciates your work—an artist who wants to come up with something with you.

In an article in The New York Times, writer David Browne discusses how the once-ubiquitous melisma pop style was heavily popularized by singers such as Carey. Browne commented, “beginning [in 1990], melisma overtook pop in a way it hadn’t before. Mariah Carey’s debut hit from 1990, “Vision of Love”, [set] the bar insanely high for notes stretched louder, longer and knottier than most pop fans had ever heard.” Browne further added “A subsequent generation of singers, including Ms. Aguilera, Jennifer Hudson and Beyoncé, built their careers around melisma. (Men like Brian McKnight and Tyrese also indulged in it, but women tended to dominate the form.)

Carey possesses a five-octave vocal range, and has the ability to reach notes beyond the seventh octave. Referred to as the “Songbird Supreme” by the Guinness World Records, she was ranked first in a 2003 MTV and Blender magazine countdown of the 22 Greatest Voices in Music, as voted by fans and readers in an online poll. Carey said of the poll: “What it really means is voice of the MTV generation. Of course, it’s an enormous compliment, but I don’t feel that way about myself.”She also placed second in Cove magazine’s list of “The 100 Outstanding Pop Vocalists.

Regarding her voice type, Carey has said she is a contralto, although several critics have described her as a coloratura light lyric soprano.[319][320][321] Carey claims that she has had nodules on her vocal cords since childhood, due to which she can sing in a higher register than others. However, tiredness and sleep deprivation can affect her vocals due to the nodules, and Carey explained that she went through a lot of practice to maintain a balance during singing. Carey stated in a 2021 interview with the Daily Express that with her voice, it’s all about “timing, vocal rest and sleep”. Jon Pareles of The New York Times described Carey’s lower register as a “rich, husky alto” that extends to “dog-whistle high notes.”Additionally, towards the late 1990s, Carey began incorporating breathy vocals into her material. Tim Levell from BBC News described her vocals as “sultry close-to-the-mic breathiness,” while USA Todays Elysa Gardner wrote, “it’s impossible to deny the impact her vocal style, a florid blend of breathy riffing and resonant belting, has had on today’s young pop and R&B stars.”

Sasha Frere-Jones of The New Yorker adds her timbre possesses various colors, stating, “Carey’s sound changes with nearly every line, mutating from a steely tone to a vibrating growl and then to a humid, breathy coo. Her wide vocal range allows Carey to take melodies from alto bottom notes to coloratura soprano upper register.”[60] Carey also possesses a “whistle register.” In an interview, Ron Givens of Entertainment Weekly described it this way, “first, a rippling, soulful ooh comes rolling effortlessly from her throat: alto. Then, after a quick breath, she goes for the stratosphere, with a sound that nearly changes the barometric pressure in the room. In one brief swoop, she seems to squeal and roar at the same time. Her sense of pitch is admired and Jon Pareles adds “she can linger over sensual turns, growl with playful confidence, syncopate like a scat singer… with startlingly exact pitch.”

Stage performances and videos

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Carey pressing her in-ear monitor, while hitting her signature whistle note on her Caution World Tour.

Despite being called a “show stopper” and “the 1990s pop phenomenon”, Carey suffered from stage fright in her early years in the music industry. One of her earliest performances was at MTV Unplugged, which received positive reception as Carey silenced critics saying her vocals were studio-made. Carey’s “The Star-Spangled Banner” rendition at the Super Bowl XXXVI was called “stunning” by Billboard. She also performed “America the Beautiful” at the 1990 NBA Finals in which Rolling Stone writer, Brittany Spanos, stated the players were struck “with awe by the incredible talent of a burgeoning young star”. The singer received the only standing ovation of the night at the 47th Annual Grammy Awards, after performing the medley of “We Belong Together and “Fly Like a Bird“.

Carey is known for being very static during her live performances; some reviewers credited her stage fright and lack of confidence as the reasoning, while others pointed out that her performances focus on her vocals and the quality of her songs. Her onstage hand gesticulations have usually been mimicked, as the singer has a tendency for “using her hands to point, flutter and sweep through the air as she deftly crests each run”. When reviewing Carey’s 2014 concert, Michael Lallo wrote that “If you’re Mariah, you … stroke your hair a lot. When a high note is on the horizon, you brace yourself by touching your ear and adopting a pained expression, provoking the crowd into losing its collective mind.

The music video for “Fantasy” was the first that Carey directed entirely on her own. Carey had been open about the fact that she had not been happy with some of her previous music videos, and has subsequently been noted for self-directing and co-producing her subsequent videography. The song “Honey” pushed Carey further towards hip hop and R&B than before.The music video gained further attention, as Carey, for the first time in her career, was provocatively dressed, giving viewers a “taste of the freer Mariah.”Billboard ranked Carey 73rd on its list of “The 100 Greatest Music Video Artists of All Time” in 2020, stating that “over three decades, [Carey] has gone from breezy girl next door, flaunting a denim collection as wide as her vocal range, to secret agent, runaway bride and even her own stalker in a collection of music videos that play like mini-dramas”. The music video for “The Roof” was ranked 18th on Slant Magazine‘s “100 Greatest Music Videos. The music video for “Heartbreaker” remains one of the most expensive ever made, costing over $2.5 million. In 2021, Carey was honoured at the African American Film Critics Association with a Special Achievement Innovator Award for her “visual storytelling in her music videos and specials”.[346]

Impact

The impact of Carey’s artistry has helped popularize rappers as a featured act in pop music through her post-1995 songs. She has been called the “Queen of Remixes” by multiple media sources, with MTV writer, Princess Gabbara, noting that it is “no secret that [Carey] goes to great lengths to deliver a spectacular remix, often re-recording vocals, penning new lyrics, shooting new music videos, and recording different versions to satisfy pop, R&B, hip-hop, and EDM audiences”.

Sasha Frere-Jones, editor of The New Yorker commented, “It became standard for R&B/hip-hop stars like Missy Elliott and Beyoncé, to combine melodies with rapped verses. And young white pop stars—including Britney SpearsJessica SimpsonChristina Aguilera, and ‘N Sync—have spent much of the past ten years making pop music that is unmistakably R&B.” Moreover, Jones concludes that “[Carey’s] idea of pairing a female songbird with the leading male MCs of hip-hop changed R&B and, eventually, all of pop. Although now anyone is free to use this idea, the success of The Emancipation of Mimi suggests that it still belongs to Carey.

Judnick Mayard, writer of The Fader, wrote that in regarding of R&B and hip hop collaboration, “The champion of this movement is Mariah Carey.” Mayard also expressed that “To this day ODB and Mariah may still be the best and most random hip hop collaboration of all time,” citing that due to the record “Fantasy“, “R&B and Hip-Hop were the best of step siblings. Kelefa Sanneh of The New York Times wrote, “In the mid-1990s Ms. Carey pioneered a subgenre that some people call the thug-love duet. Nowadays clean-cut pop stars are expected to collaborate with roughneck rappers, but when Ms. Carey teamed up with Ol’ Dirty Bastard, of the Wu-Tang Clan, for the 1995 hit remix of “Fantasy”, it was a surprise and a smash.

In a review of her Greatest Hits album, Devon Powers of PopMatters writes that “She has influenced countless female vocalists after her. At 32, she is already a living legend—even if she never sings another note. Vulture magazine writer Craig Jenkins pointed out that some of Ariana Grande‘s songs reminisced on Carey’s work in the late ’90s where she managed to bend and combine hip-hop, pop, and R&B sounds. Speaking to Billboard in 2019 for a profile of Carey’s career, David Morales, who first collaborated with Carey on the Def Club Mix of her 1993 single “Dreamlover“, commented on Carey’s revolutionary role in the popularization of remixes: “Mariah opened up a whole other door, and not many people at that time were capable of that. When other big artists saw what I did with Mariah, they wanted that. She’s how I got into the studio with Toni BraxtonAretha FranklinSeal, and Donna Summer.

 

 

ARTIST PHOTO

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